3 New Messin' with Sasquatch Commercials Released

The folks at Carmichael Lynch released three new Jack Link's Messin' with Sasquatch commercials today. The not-so-gentle giant gets up close and personal with jerky lovers everywhere. In a few short years, the campaign has helped take Link's from a distant second to the clear #1 in meat snacks. In fact, Jack Link's now outsells every other snack sold in convenience stores, period. The titles for the three new commercials are All Dolled Up, Coop, and Hose. Watch all three below.

ALL DOLLED UP: Sasquatch No Girl

COOP: Sasquatch Visit Chicken Friends

HOSE: Sasquatch Thirsty

Credit List for Jack Link’s spots:
“All Dolled Up”
“Hose”
“The Coop”

Agency: Carmichael Lynch
Chief Creative Officer: Dave Damman
Associate Creative Director/Art Director: Brad Harrison
Senior Copywriters: Tim Blevins and William Bloomfield
Director of Integrated Production: Joe Grundhoefer
Senior Content Producer: Freddie Richards
Content Producer: Tara Mulholland
Director of Business Affairs: Vicki Oachs
Director of Account Management: Andrew Dauska
Account Director: Holly Wheeler  
Account Manager: Sofya Guterman
Account Leader: Andrew Pautz
Senior Project Manager: Elizabeth Charron                                          

Production Company: MJZ
Director: Rocky Morton
Senior Executive Producer: Scott Howard
Producer: Donald Taylor        
Director of Photography: Mattias Rudh

Editing House: HutchCo Technologies
Editor: Jim Hutchins
Asst. Editor: Joaquin Machado
Executive Producer: Jane Hutchins

Post Production/Special Effects: Rabbit Content
Creative Director: Nick Losq
Executive Producer: Joby Barnhart
Producer: Lloyd Dsouza

Music House: Black Iris

Sound Design: Francois Blaignan and Joel Waters

Audio Mix: Lime Studios
Mixer: Joel Waters
Executive Producer: Jessica Locke

TOP SECRET: Press Release for May 26th HopsSquatch with Thom Powell

Thom Powell is Headlining May 26th HopsSquatch

Last Chance for you hard-core Bigfooters to get in on this sweet deal!!! The press release below is going out to all the local media. You get the first chance to read it and buy your tickets. Please watch the promotional video after the press release. Thank you to the After Hours Crew for creating the infomercial!!!

For More Information

Guy Edwards

Bigfoot Lunch Club

GuyEdwards@BigfootLunchClub.com

503.929.7436

Something Big is Coming to Portland-HopsSquatch Bigfoot and Beer

Behind-the-scenes information from the experts

Become Bigfoot insiders learning what is on the horizon of Bigfoot research while having a beer with other Bigfooters at Portland’s Lucky Labrador Brew Pub on Sunday May 26, 2013 from 2-5pm with open discussion until 8pm. HopsSquatch is a unique speaker’s series bringing together Bigfooters and those that want to know. This month’s special guest is Bigfoot author Thom Powell.  When Powell's Sasquatch book, "The Locals," came out, it was hailed as the first of its kind, "bringing Bigfoot research into the 21st century," by British biologist Karl Shuker. Many of his topics were considered outside of science at the time but today are considered mainstream.

Recently, Powell has taken Bigfoot research even further, into the realm of spycraft. For over 6 decades, since the famous Patterson Gimlin film, Bigfoot field researchers have been using the same tactics without much to show for it. These same tactics are currently used on TV shows also without much to show for it. Is there another way to gather data and intelligence about Sasquatch? What will we be talking about ten years from now? Thom Powell will share what is on the horizon for Bigfoot research. What can the CIA tell us about Bigfoot Research?

After Powell speaks there will be a panel discussion- Is there a campaign against Bigfoot Truth? Authors Thom Powell (The Locals), Kirk Sigurdson (Cowslip) and a skeptic will participate in a panel moderated by Guy Edwards of Bigfoot Lunch Club discussing whether or not Bigfoot has already been discovered and suppressed by those in power.

Don’t miss your chance to be a part of this historic event. Limited space available, only $5 per person to attend. The Lucky Lab Brew Pub is located at 915 SE Hawthorne Blvd, Portland Oregon 97214.

For more information, please contact Guy Edwards at GuyEdwards@BigfootLunchClub.com, 503.929.7436 or register online at HopsSquatch.com.

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Seating is limited, we don't want you to miss out, please register now.

Today in Bigfoot History | May 13th 1967 | Roger Patterson Rents a Camera

The 16mm Cine-Kodak K-100 was the camera rented by Roger Patterson
 and used to film the most iconic footage of Bigfoot. 

On May 13th in 1967 Roger Patterson rented a 16mm Cine-Kodak K-100 camera from the Yakima Camera Shop. Although the rental was intended for only two days, we know Roger Patterson had it until at least October 20th of the same year. This was the date of the famous Patterson/Gimlin film when both Roger Patterson and Bob Gimlin filmed what appears to be a female Sasquatch walking in the Bluff Creek area.

Our favorite part about Bigfoot research, is the ability to geek out on ancillary research that contributes to our larger set of Sasquatch knowledge. In this instance, the Cine-Kodak K-100 provides a lot of opportunity to disect the P/G film. Even better there is a man who has done the research for us; Bill Munns. 

Bill Munns has probably done the most research on the type of camera and settings used to captured the P/G film. In the self-titled Munns Report he describes he showcases how important the camera detail is in reconstructing the P/G film site.

"In the process of that attempt to build the digital model, I have discovered something about the film which has been mistakenly assumed by one and all for the last 41 years, and it does impact significantly on any analysis of the film. All assumption has been that the lens on Roger Patterson's camera was a 25mm lens, the standard issue lens for the Kodak K-100 camera. My analysis indicates that the camera has a 15mm lens on it instead (presumption being a Kodak  Cine Ektar 15mm lens with S mount to C mount adapter, as per the Kodak camera user's guide,because the camera requires a companion viewfinder lens of same focal length, which Kodak only supplied for it's Cine Ektar lenses." SRC: The Munns Report release No.1

In his In the blurb below you can read Bill Munns reaching out to the cinematographer community. 

"...I immersed myself in the analysis of the film, I felt that building a digital model of the film site may help clear up some issues, and having 12 years now working with 3D visualization software, I felt I had a good background to attempt this. But in trying to build the digital model, I began to see discrepancies with the general report that the Patterson film was taken with a Kodak K-100 single lens camera with the standard 25mm Ektar lens on it. My analysis indicated a wider angle lens was necessary to replicate the filming, and the only wider angle lens made by Kodak (and having the appropriate viewfinder companion lens) was the 15mm Ektar. So I tested building the digital site model using the 15mm lens specification, and it assembled quite splendidly, and very accurately, in terms of locating seven distinct camera positions and matching them in the digital model so the digital model renderings overlay the actual film frames exceptionally well."

SRC: Cinematography.com

Bill Munn's continues to work on the P/G Film. There is a recent effort to raise funds for a documentary he's working on called, "When Roger met Patty".